25. Léopold SURVAGE (1879-1968)
Water carrier in Collioure, 1926
Oil on cardboard.
Signed and dated 26 lower right.
40 x 32 cm.
Madame Anne-Marie Di Vieto has kindly
confirmed the authenticity of this
from a photograph.
Provenance: Paris, Ader-Picard-Tajan sale, June 19, 1974, lot 185.
A northern painter of Russian and Finnish
origins, Léopold Survage discovered the
Mediterranean lights in Nice, where he
during the First World War.
War. It was in Collioure, between 1925
and 1932, his palette brightened and he introduced
introduced surrealism into his work.
The composition Surrealist Landscape,
1926 plays with deceptive geometry.
Geometric shapes interlock to simulate
to simulate both perspective and
impossible planes. Several receding
structure the painting, offering the eye
the eye an imaginary village. The tree and
are represented by simple, rounded green
shapes, bringing a touch of freshness
freshness to this almost desert-like landscape.
The female figure in the foreground,
is reminiscent of the caryatids
caryatids of ancient Greece. In Survage's
Survage's paintings of this period
fisherwomen, fish traders or water carriers
or water carriers, as in our work.
our work. It perfectly illustrates
what Apollinaire understood when he saw Survage's
surrealist works by Survage
Survage's first Surrealist works: "No one before Survage
a single canvas an entire city with
the interior of its houses.
Result
€13,000
Buyer's premium
30%
25. Léopold SURVAGE (1879-1968)
Water carrier in Collioure, 1926
Oil on cardboard.
Signed and dated 26 lower right.
40 x 32 cm.
Madame Anne-Marie Di Vieto has kindly
confirmed the authenticity of this
from a photograph.
Provenance: Paris, Ader-Picard-Tajan sale, June 19, 1974, lot 185.
A northern painter of Russian and Finnish
origins, Léopold Survage discovered the
Mediterranean lights in Nice, where he
during the First World War.
War. It was in Collioure, between 1925
and 1932, his palette brightened and he introduced
introduced surrealism into his work.
The composition Surrealist Landscape,
1926 plays with deceptive geometry.
Geometric shapes interlock to simulate
to simulate both perspective and
impossible planes. Several receding
structure the painting, offering the eye
the eye an imaginary village. The tree and
are represented by simple, rounded green
shapes, bringing a touch of freshness
freshness to this almost desert-like landscape.
The female figure in the foreground,
is reminiscent of the caryatids
caryatids of ancient Greece. In Survage's
Survage's paintings of this period
fisherwomen, fish traders or water carriers
or water carriers, as in our work.
our work. It perfectly illustrates
what Apollinaire understood when he saw Survage's
surrealist works by Survage
Survage's first Surrealist works: "No one before Survage
a single canvas an entire city with
the interior of its houses.