178 Charles Hossein ZENDEROUDI (1937-) P.1110, 1979 Acrylic on canvas. Signed and dated lower right. 75 x 100 cm In the 1970s, Zenderoudi, an internationally-renowned visual artist, undertook several series of paintings in which inscriptions are integrated into an iterative process. in which inscriptions are integrated into an iterative process. Following in the footsteps of the Fluxus movement movement and the avant-garde, his work contributes fully to the foundations of contemporary art. In this canvas, painted in Paris in 1979, the composition is based on linear spaces containing textual textual elements. These inscriptions are to be read as genuine plastic elements, in the same way as colour, devoid of any literal meaning. like color, devoid of any literal meaning. The artist's precise, repetitive gestures resonate with a more dynamic more dynamic, spontaneous gestures in the second half of the canvas. The whole reveals a profoundly conceptual work, in which time, space and the creative process respond to each other in a subtle dialogue. The work is accompanied by a certificate of authenticity from Zenderoudi Archives and will be included in the Catalogue Raisonné currently in preparation. in progress.