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PHOTOGRAPHIES - ESTAMPES - DESSINES - TABLEAUX ANCIENS ET MODERNES - BIJOUX - ORFÈVRERIE - EXTRÊME-ORIENT - MOBILIER - OBJETS D'ART DU XVIII AU XXe SIÈCLE

PHOTOGRAPHIES - ESTAMPES - DESSINES - TABLEAUX ANCIENS ET MODERNES - BIJOUX - ORFÈVRERIE - EXTRÊME-ORIENT - MOBILIER - OBJETS D'ART DU XVIII AU XXe SIÈCLE

Friday, 13 March 2020 at 14:00
Salle 4 - Hôtel Drouot, 9, rue Drouot, 75009 Paris
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Etienne Carjat (1828-1906) *Portrait of Rossini Silver albumen print, dry stamp, sent by the composer to M. de Beauchesne, Paris December 31, 1864. 33 x 25 cm

1 - Etienne Carjat (1828-1906) *Portrait of Rossini Silver albumen print, dry stamp, sent by the composer to M. de Beauchesne, Paris December 31, 1864. 33 x 25 cm

Result
1 600 €
Jean-Baptiste Edmé SAVARY (C. 1792-?) *Portrait of Miss Anna from BEAUCHESNE Daguerreotype, circa 1850. Rosewood frame. 7 x 6 cm

2 - Jean-Baptiste Edmé SAVARY (C. 1792-?) *Portrait of Miss Anna from BEAUCHESNE Daguerreotype, circa 1850. Rosewood frame. 7 x 6 cm

Result
180 €
Jean-Baptiste Edmé SAVARY (C. 1792-?) *Portrait of Mrs. Alfred de BEAUCHESNE Daguerreotype, circa 1850. Rosewood frame. 7 x 6 cm

3 - Jean-Baptiste Edmé SAVARY (C. 1792-?) *Portrait of Mrs. Alfred de BEAUCHESNE Daguerreotype, circa 1850. Rosewood frame. 7 x 6 cm

Result
340 €
SAUGRIN (XIXe siècle) *Portrait of a mother and her son Daguerreotype in color. 14 x 10 cm Label of Maison Saugrin, 11 bld Montmartre.

4 - SAUGRIN (XIXe siècle) *Portrait of a mother and her son Daguerreotype in color. 14 x 10 cm Label of Maison Saugrin, 11 bld Montmartre.

Result
220 €
École américaine dans le goût du XVIIIe siècle Portrait of an American officer? Oval canvas. 51 x 39 cm

5 - École américaine dans le goût du XVIIIe siècle Portrait of an American officer? Oval canvas. 51 x 39 cm

Result
520 €
Nicolas-Louis GOSSE (1787-1878) *Portraits of Mr. and Mrs. de Beauchesne Two oval oils on canvas forming a pendant, signed lower right and dated 1852. Has a label on the back. 64 x 53 cm

6 - Nicolas-Louis GOSSE (1787-1878) *Portraits of Mr. and Mrs. de Beauchesne Two oval oils on canvas forming a pendant, signed lower right and dated 1852. Has a label on the back. 64 x 53 cm

Result
550 €
MARUCCHI DE BELUCCI (1871-?) *Portrait of Mrs. Alfred de Beauchesne and her daughter Anna Oil on canvas. Has a label on the back. 86 x 75 cm

7 - MARUCCHI DE BELUCCI (1871-?) *Portrait of Mrs. Alfred de Beauchesne and her daughter Anna Oil on canvas. Has a label on the back. 86 x 75 cm

Result
1 000 €
Nicolas Anne du BOIS de BEAUCHESNE (1758-1835) *Portrait of Isabelle d'Egrefeuille Oil on canvas. 22 x 16 cm Has a label on the back.

8 - Nicolas Anne du BOIS de BEAUCHESNE (1758-1835) *Portrait of Isabelle d'Egrefeuille Oil on canvas. 22 x 16 cm Has a label on the back.

Result
750 €
École Française du XIXe siècle *Portrait of a magistrate Oil on canvas. 22 x 17 cm

9 - École Française du XIXe siècle *Portrait of a magistrate Oil on canvas. 22 x 17 cm

Result
5 500 €
École Française du XIXe siècle Portrait of a woman with cameo Oil on canvas. 71.5 x 58.5 cm

10 - École Française du XIXe siècle Portrait of a woman with cameo Oil on canvas. 71.5 x 58.5 cm

Result
280 €
LECOMTE (actif vers 1800) *Portrait of Annette d'Egrefeuille, 1811 Pencil drawing, with highlights. With a poem. 23 x 19 cm

11 - LECOMTE (actif vers 1800) *Portrait of Annette d'Egrefeuille, 1811 Pencil drawing, with highlights. With a poem. 23 x 19 cm

Result
350 €
Nicolas Anne du BOIS de BEAUCHESNE (1758-1835) *Portrait of his father Jacques de BEAUCHESNE Drawing, circa 1780. (Stings). 8 x 6 cm

12 - Nicolas Anne du BOIS de BEAUCHESNE (1758-1835) *Portrait of his father Jacques de BEAUCHESNE Drawing, circa 1780. (Stings). 8 x 6 cm

Result
50 €
École autrichienne du XIXe siècle dans le goût d'ARCIMBOLDO Portraits A suite of four enhanced processes. 12 x 10 cm each

13 - École autrichienne du XIXe siècle dans le goût d'ARCIMBOLDO Portraits A suite of four enhanced processes. 12 x 10 cm each

Estimate
300 € - 400 €
Suite of fifteen black engravings from The Description of Egypt, early 19th century. Approx. 70 x 53 cm

14 - Suite of fifteen black engravings from The Description of Egypt, early 19th century. Approx. 70 x 53 cm

Result
200 €
Dollfus KOECHLIN View of the Italian lakes, Martini, Come and Lugano, 1843 Three drawings under one frame. 30 x 23 each

15 - Dollfus KOECHLIN View of the Italian lakes, Martini, Come and Lugano, 1843 Three drawings under one frame. 30 x 23 each

Result
220 €
D'après CONSTANS *Portrait of Cherubini Lithograph in black. Indication in ink: "Given to Count Alfred de Beauchesne by Cherubini". 30 x 22 cm

16 - D'après CONSTANS *Portrait of Cherubini Lithograph in black. Indication in ink: "Given to Count Alfred de Beauchesne by Cherubini". 30 x 22 cm

Result
220 €
École française début XXe siècle Les grandes manoeuvres Watercolour, signature trace at lower right, dated 26 November 1910. 44 x 73 cm

17 - École française début XXe siècle Les grandes manoeuvres Watercolour, signature trace at lower right, dated 26 November 1910. 44 x 73 cm

Result
80 €
École française vers 1840, entourage de Jules-Romain JOYANT (1803-1854) View of Venice Oil on canvas mounted on cardboard. 30 x 25 cm

18 - École française vers 1840, entourage de Jules-Romain JOYANT (1803-1854) View of Venice Oil on canvas mounted on cardboard. 30 x 25 cm

Estimate
600 € - 800 €
BILLY (XIXe siècle) Le combat de rue Oil on canvas signed upper left, dated 1880. (Missing). 65 x 87 cm Large channel frame in gold paste.

19 - BILLY (XIXe siècle) Le combat de rue Oil on canvas signed upper left, dated 1880. (Missing). 65 x 87 cm Large channel frame in gold paste.

Result
280 €
Félix FOURNERY (1865-1938) Portrait of a soldier with a whip Oil on panel signed lower left, located Paris and dated 1884, dedicated "To my brother, affectionate memory". 21 x 14 cm

20 - Félix FOURNERY (1865-1938) Portrait of a soldier with a whip Oil on panel signed lower left, located Paris and dated 1884, dedicated "To my brother, affectionate memory". 21 x 14 cm

Estimate
100 € - 150 €
G. BITRY-BOËLY (XIX-XX) The charge of the horsemen Watercolour on paper signed at the bottom left. 31 x 24.5 cm

21 - G. BITRY-BOËLY (XIX-XX) The charge of the horsemen Watercolour on paper signed at the bottom left. 31 x 24.5 cm

Estimate
200 € - 300 €
Jean-Jacques HENNER (1829-1905) Portrait of Jules Boeswillwald, 1877 Oil on panel signed upper right. On the back, in ink, on a label, is the inscription: Jules Boeswillwald, 1848-1925, in mobile uniform, 1870. (Small splinters and gaps, hole, restoration). 27 x 21 cm Portrait begun in November 1876 was completed in five sessions in January 1877. It will be reproduced in the catalogue raisonné, volume III, in preparation by Madame Isabelle de Lannoy. Provenance: - Jules Boeswillwald, 1877. Bib

22 - Jean-Jacques HENNER (1829-1905) Portrait of Jules Boeswillwald, 1877 Oil on panel signed upper right. On the back, in ink, on a label, is the inscription: Jules Boeswillwald, 1848-1925, in mobile uniform, 1870. (Small splinters and gaps, hole, restoration). 27 x 21 cm Portrait begun in November 1876 was completed in five sessions in January 1877. It will be reproduced in the catalogue raisonné, volume III, in preparation by Madame Isabelle de Lannoy. Provenance: - Jules Boeswillwald, 1877. Bib

Result
2 900 €
Louis CABAT (1812-1893) attribué à Landscape, (18)64 Oil on panel bearing a signature and date in the lower left corner. On the back, part of an auction catalogue, n° 162, Sunset in the forest above the pond. Stencilled in black ink: Carpentier Deforge, house of colors, Bd Montmartre, 8 Paris. (Splinters and gaps, rubbing). 27 x 41 cm

23 - Louis CABAT (1812-1893) attribué à Landscape, (18)64 Oil on panel bearing a signature and date in the lower left corner. On the back, part of an auction catalogue, n° 162, Sunset in the forest above the pond. Stencilled in black ink: Carpentier Deforge, house of colors, Bd Montmartre, 8 Paris. (Splinters and gaps, rubbing). 27 x 41 cm

Result
250 €
Jules CHARDIGNY (1842-1892) Portrait of a poodle Signed panel top right. 15 x 11 cm

24 - Jules CHARDIGNY (1842-1892) Portrait of a poodle Signed panel top right. 15 x 11 cm

Result
130 €

25 - *A collection of three plates published in the Estampe Originale, each numbered 45, signed or monogrammed. - Head by Eugène Carrière yellowed lithograph, spots, some accidents and folds in the edges (colour additions) 39 x 33.6 cm - Landscape by Charles-Marie DULAC yellowed lithograph, spots, some accidents and folds in the edges 46.8 x 36 cm - Portrait of Henri Becque by Auguste RODIN drypoint, yellowed print, some spots, folds, missing in the lower left corner. 15.3 x 19.5 cm. (Boyer and Cat

Result
600 €
James Abbott WHISTLER (1834-1903) Thames Warehouses, 1859 Etching, drypoint on vergé. Proof of the final state, with the signature in the plate at the bottom right. Small margins. Executive. (Kennedey 38 II/II, Glasgow 46, V/V). 75 x 203 mm

26 - James Abbott WHISTLER (1834-1903) Thames Warehouses, 1859 Etching, drypoint on vergé. Proof of the final state, with the signature in the plate at the bottom right. Small margins. Executive. (Kennedey 38 II/II, Glasgow 46, V/V). 75 x 203 mm

Result
380 €
James Abbott WHISTLER (1834-1903) The Limeburner, 1859 Drypoint etching on laid paper. Proof yellowed when opening a passe-partout with an inscription in brown ink at the bottom right. Small margins held by two mounting tabs on the back, weak boarding in some places. (K.46 II/II, Glasgow 55 II/II). 245 x 175 mm

27 - James Abbott WHISTLER (1834-1903) The Limeburner, 1859 Drypoint etching on laid paper. Proof yellowed when opening a passe-partout with an inscription in brown ink at the bottom right. Small margins held by two mounting tabs on the back, weak boarding in some places. (K.46 II/II, Glasgow 55 II/II). 245 x 175 mm

Result
850 €
James Abbott WHISTLER (1834-1903) Charles Drouet sculptor, 1859 Drypoint etching appears on Japon pelure. Proof glued on the edges and slightly yellowed with a small trace of glue, small snag and accident on the right of the subject, some scratches, margins of 3 to 5 mm. (K. 55 II/II Glasgow 35 II/ II). 225 x 152 mm

28 - James Abbott WHISTLER (1834-1903) Charles Drouet sculptor, 1859 Drypoint etching appears on Japon pelure. Proof glued on the edges and slightly yellowed with a small trace of glue, small snag and accident on the right of the subject, some scratches, margins of 3 to 5 mm. (K. 55 II/II Glasgow 35 II/ II). 225 x 152 mm

Estimate
300 € - 500 €
James Abbott WHISTLER (1834-1903) La Robe rouge, 1894 Lithograph on laid paper. Proof published in The Studio magazine . Slight freckles, accident in the upper right corner, dry stamp of the editor The Studio in the lower left corner. (Way 68, Spink, Stratis, Tedeschi 107). 188 x 155 mm - Sight sheet: 27 x 20mm

29 - James Abbott WHISTLER (1834-1903) La Robe rouge, 1894 Lithograph on laid paper. Proof published in The Studio magazine . Slight freckles, accident in the upper right corner, dry stamp of the editor The Studio in the lower left corner. (Way 68, Spink, Stratis, Tedeschi 107). 188 x 155 mm - Sight sheet: 27 x 20mm

Result
140 €
James Abbott WHISTLER (1834-1903) Thames Police, 1859 Etching and drypoint on Japan laid skin. Proof held by two mounting tabs on the reverse side, numerous corrugated folds, small margins. Executive. (K. 44 III/III, Glasgow 53 V or VI/VI). 151 x 227 mm

30 - James Abbott WHISTLER (1834-1903) Thames Police, 1859 Etching and drypoint on Japan laid skin. Proof held by two mounting tabs on the reverse side, numerous corrugated folds, small margins. Executive. (K. 44 III/III, Glasgow 53 V or VI/VI). 151 x 227 mm

Result
550 €
James Abbott WHISTLER (1834-1903) The Shoemaker Lithograph on laid paper, Proof print by Goulding. Slightly yellowed, folds on the surface, held by two mounting strips, oxidation on the yellowed back. Executive. (W. 151, Spink, Stratis, Tedeschi 169). 189 x 109 mm - Sheet: 252 x 155 mm

31 - James Abbott WHISTLER (1834-1903) The Shoemaker Lithograph on laid paper, Proof print by Goulding. Slightly yellowed, folds on the surface, held by two mounting strips, oxidation on the yellowed back. Executive. (W. 151, Spink, Stratis, Tedeschi 169). 189 x 109 mm - Sheet: 252 x 155 mm

Result
150 €
James Abbott WHISTLER (1834-1903) Afternoon Tea Lithograph on Japon vergé, edition at 100 copies for the Original Prints Album of the Galerie Vollard. Slightly yellowed, some traces of broken folds. Executive. 185 x 157 mm - Sheet: 345 x 242 mm (having been cut) (W. 147, Spink, Stratis, Tedeschi 173).

32 - James Abbott WHISTLER (1834-1903) Afternoon Tea Lithograph on Japon vergé, edition at 100 copies for the Original Prints Album of the Galerie Vollard. Slightly yellowed, some traces of broken folds. Executive. 185 x 157 mm - Sheet: 345 x 242 mm (having been cut) (W. 147, Spink, Stratis, Tedeschi 173).

Estimate
400 € - 500 €
James Abbott WHISTLER (1834-1903) The Unsafe Tenement, 1858 etching on laid paper. Proof with the name of the printer Delâtre at the bottom. Small, lightly freckled margins. Executive. (K. 17 III/IV, Glasgow 18 III/ V). 156 x 226 mm

33 - James Abbott WHISTLER (1834-1903) The Unsafe Tenement, 1858 etching on laid paper. Proof with the name of the printer Delâtre at the bottom. Small, lightly freckled margins. Executive. (K. 17 III/IV, Glasgow 18 III/ V). 156 x 226 mm

Estimate
400 € - 500 €
James Abbott WHISTLER (1834-1903) Old Hungerford Bridge, 1861 Etching drypoint on laid paper. Small margins held by mounting brackets. Executive. 138 x 212mm - Sheet: 16 x 23.5 cm (K.76 III/III, Glasgow 76 III or IV/IV).

34 - James Abbott WHISTLER (1834-1903) Old Hungerford Bridge, 1861 Etching drypoint on laid paper. Small margins held by mounting brackets. Executive. 138 x 212mm - Sheet: 16 x 23.5 cm (K.76 III/III, Glasgow 76 III or IV/IV).

Result
280 €
James Abbott WHISTLER (1834-1903) Longshore Men, 1859 Etching drypoint on laid paper. Slightly yellowed print with some traces of wavy folds. Small margins. Executive. (K. 45, Glasgow 52 III or IV/IV). 151 x 223 mm

35 - James Abbott WHISTLER (1834-1903) Longshore Men, 1859 Etching drypoint on laid paper. Slightly yellowed print with some traces of wavy folds. Small margins. Executive. (K. 45, Glasgow 52 III or IV/IV). 151 x 223 mm

Estimate
300 € - 400 €
James Abbott WHISTLER (1834-1903) Wapping - The large Pool, 1878 -79 Drypoint etching on yard. Proof with the signature of the butterfly in the subject and in pencil in the lower right corner. Small margins. Executive. (K. 174, Glasgow 180, seems to be final). 185 x 275 mm

36 - James Abbott WHISTLER (1834-1903) Wapping - The large Pool, 1878 -79 Drypoint etching on yard. Proof with the signature of the butterfly in the subject and in pencil in the lower right corner. Small margins. Executive. (K. 174, Glasgow 180, seems to be final). 185 x 275 mm

Result
2 400 €
James Abbott WHISTLER (1834-1903) The Pool Eau-forte dry point on Japan peel, rounded corners. Leaf held by three mounting tabs on the reverse, dry stamp on the lower left very slightly yellowed, small brown spots, good margins. (K. 43 IV/IV, Glasgow 49). 138 x 216mm - F: 225 x 310 mm

37 - James Abbott WHISTLER (1834-1903) The Pool Eau-forte dry point on Japan peel, rounded corners. Leaf held by three mounting tabs on the reverse, dry stamp on the lower left very slightly yellowed, small brown spots, good margins. (K. 43 IV/IV, Glasgow 49). 138 x 216mm - F: 225 x 310 mm

Estimate
400 € - 600 €
James Abbott WHISTLER (1834-1903) Billingsgate, 1859 Etching and drypoint on thin Japan. Proof of the final state : rounded copper corners, edges with bevels. Traces of wavy folds, some traces of glue, small margins. (K. 47, Glasgow 51). 150 x 222 mm

38 - James Abbott WHISTLER (1834-1903) Billingsgate, 1859 Etching and drypoint on thin Japan. Proof of the final state : rounded copper corners, edges with bevels. Traces of wavy folds, some traces of glue, small margins. (K. 47, Glasgow 51). 150 x 222 mm

Estimate
200 € - 300 €
James Abbott WHISTLER (1834-1903) Fulham - Chelsea, 1878 - 79 Etching and drypoint on slightly yellowed yardage. Executive. (K. 182 II/II, Glasgow 181 V/V). 133 x 205 mm

39 - James Abbott WHISTLER (1834-1903) Fulham - Chelsea, 1878 - 79 Etching and drypoint on slightly yellowed yardage. Executive. (K. 182 II/II, Glasgow 181 V/V). 133 x 205 mm

Result
280 €
James Abbott WHISTLER (1834-1903) The Nude Model, 1891 Lithography. Slightly yellowed print on the front and back, held by two oxidizing mounting tabs on the back. Executive. (W. 154, Spink, Stratis, Tedeschi 48). 186 x 109 mm

40 - James Abbott WHISTLER (1834-1903) The Nude Model, 1891 Lithography. Slightly yellowed print on the front and back, held by two oxidizing mounting tabs on the back. Executive. (W. 154, Spink, Stratis, Tedeschi 48). 186 x 109 mm

Result
280 €
James Abbott WHISTLER (1834-1903) Hurlingham, 1879 Etching and drypoint on vergé. Slightly yellowed print, signed with the butterfly in the plate, small margins some spots. Executive. (K. 181 III/III, Glasgow 184, IV/IV). 135 x 200 mm

41 - James Abbott WHISTLER (1834-1903) Hurlingham, 1879 Etching and drypoint on vergé. Slightly yellowed print, signed with the butterfly in the plate, small margins some spots. Executive. (K. 181 III/III, Glasgow 184, IV/IV). 135 x 200 mm

Estimate
300 € - 400 €
James Abbott WHISTLER (1834-1903) Venus, 1859 Etching drypoint on vergé. Proof of final state slightly yellowed small margins. Executive. (K.59 II/II, Glasgow 60 II/ II). 150 x 225 mm

42 - James Abbott WHISTLER (1834-1903) Venus, 1859 Etching drypoint on vergé. Proof of final state slightly yellowed small margins. Executive. (K.59 II/II, Glasgow 60 II/ II). 150 x 225 mm

Result
3 100 €
James Abbott WHISTLER (1834-1903) Seymour standing under the tree, 1858 - 59 Drypoint etching on vergé, slightly yellowed, small margins. Executive. (K.31 II/III, Glasgow 30 II/III). 134 x 96 mm

43 - James Abbott WHISTLER (1834-1903) Seymour standing under the tree, 1858 - 59 Drypoint etching on vergé, slightly yellowed, small margins. Executive. (K.31 II/III, Glasgow 30 II/III). 134 x 96 mm

Estimate
400 € - 500 €
James Abbott WHISTLER (1834-1903) Eagle Warf, 1859 Etching on Japan laid thin. Proof with traces of wavy folds with small margins, mounting tabs at the top. Executive. (K. 41, Glasgow 50, single state). 138 x 213 mm

44 - James Abbott WHISTLER (1834-1903) Eagle Warf, 1859 Etching on Japan laid thin. Proof with traces of wavy folds with small margins, mounting tabs at the top. Executive. (K. 41, Glasgow 50, single state). 138 x 213 mm

Result
320 €
Fritz WAGENER (1896-1939) *Cancale, the parks at low tide Oil on canvas signed lower left. Dedicated "to Raffaelli, his devoted Wagner". Titled on the back. 32 x 55 cm

45 - Fritz WAGENER (1896-1939) *Cancale, the parks at low tide Oil on canvas signed lower left. Dedicated "to Raffaelli, his devoted Wagner". Titled on the back. 32 x 55 cm

Result
1 000 €
Jean-Joseph WEERTS (1847-1927) *Portrait of the painter J F Raffaëlli, 1911 Painting in tempera on panel signed, dated and dedicated on the top left. 23 x 31 cm Two labels on the back.

46 - Jean-Joseph WEERTS (1847-1927) *Portrait of the painter J F Raffaëlli, 1911 Painting in tempera on panel signed, dated and dedicated on the top left. 23 x 31 cm Two labels on the back.

Result
1 700 €
Jean-François RAFFAELLI (1850-1924) *The Grandfather - The Two Friends Dry Point in colors on Japan. The Grandfather, signed in the plate, the two Friends: proof signed lower right, numbered 16 / 60. Yellowing with a few scratches and stains, trace from the master key. Straight edges on a cardboard box. Executives. (Delteil 22, 37). Subject: 47 x 39, 6 cm - 47 x 21.5 cm Second sheet: 56 x 36, 5 cm

47 - Jean-François RAFFAELLI (1850-1924) *The Grandfather - The Two Friends Dry Point in colors on Japan. The Grandfather, signed in the plate, the two Friends: proof signed lower right, numbered 16 / 60. Yellowing with a few scratches and stains, trace from the master key. Straight edges on a cardboard box. Executives. (Delteil 22, 37). Subject: 47 x 39, 6 cm - 47 x 21.5 cm Second sheet: 56 x 36, 5 cm

Result
480 €

48 - Jean-François RAFFAELLI (1850-1924) * The Snow Sunset * Colored drypoint on Japan. Proof signed lower right, numbered 33. Small freckles, good margins glued to cardboard. Executive. (Delteil 77, IVe/V). Subject: 21,5 x 47 cm - Sheet: 37 x 60 cm

Result
200 €
Jean-François RAFFAELLI (1850-1924) * Fishing village in Cagnes *Eau-forte, dry point in colors on Japan. Proof signed lower right, numbered 73. On the back: Galerie Charpentier label. Executive. (Delteil 101). Subject: 29,8 x 40 cm - Sheet: 34 x 42 cm

49 - Jean-François RAFFAELLI (1850-1924) * Fishing village in Cagnes *Eau-forte, dry point in colors on Japan. Proof signed lower right, numbered 73. On the back: Galerie Charpentier label. Executive. (Delteil 101). Subject: 29,8 x 40 cm - Sheet: 34 x 42 cm

Result
220 €
Jean-François RAFFAELLI (1850-1924) * La Lettre - L'Actrice en voyage *Pointe sèche en couleurs sur Japon. Proofs signed at bottom right, annotated "1 to 40, Epr. No. 17" "1 to 40, épr. No. 2". Scattered freckles, slightly yellowed. Good margins glued on the edges. Set of 2 boards. Executives. (Delteil 47, 50). Subjects: 41 x 31 cm - 40 x 32 cm Leaves approx.: 54 x 42 cm

50 - Jean-François RAFFAELLI (1850-1924) * La Lettre - L'Actrice en voyage *Pointe sèche en couleurs sur Japon. Proofs signed at bottom right, annotated "1 to 40, Epr. No. 17" "1 to 40, épr. No. 2". Scattered freckles, slightly yellowed. Good margins glued on the edges. Set of 2 boards. Executives. (Delteil 47, 50). Subjects: 41 x 31 cm - 40 x 32 cm Leaves approx.: 54 x 42 cm

Result
480 €
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