GREAT AUCTIONS
239 - BAGUE en platine sertie d'un diamant ovale épaulé de deux diamants demi lune. Poids du diamant : env. 10,02 cts Signée ARFAN. Accompagné d'un certificat du Laboratoire CCIP (2007) indiquant couleur G, pureté VVS2, fluorescence faible. Poids brut : 11,5 g
Result
242,000 EUR
30 - 30. Rare large blue-white porcelain jar, Guan China, Yuan dynasty, 14th century The swollen body, decorated with a frieze of mantling and phoenix between two friezes of flowers and foliage flowers and foliage, the shoulder decorated with two lions' heads in relief forming the handles forming the handles, the end of the neck in the shape of a cup and decorated with geometric motifs H. : 38,5 cm (Large visible lack at the neck, restored accidents, enamel jumps, wear and scratches)
Result
180,000 EUR
237 - 237. JEAN ROYÈRE (1902-1981) Pair of armchairs " Oeuf " high version with enveloping shell and cushions covered with brown velvet, back covered with an original printed fabric fabric on one of the armchairs and four tapered legs in varnished oak. varnished. 55 x 60 cm and H: 75 cm. Model made from 1951 and presented at the Foyer d'Aujourd'hui section of the Salon des Arts Ménagers as well as at the Salon des Artistes décorateurs in 1954. Metal plate " Jean Royère " on the back of an armchair, in the same family since the origin by descent. Wear fabric and marks of use. Bibliography: Magazine, Le Décor d'Aujourd'hui, numbers 86 and 106, model reproduced on the cover and page 187. Exhibition catalog, Jean Royère, Galerie Jacques Lacoste, Paris, May 25 to 02 July 1999, model described and reproduced pages 56 to 59. Pierre-Emmanuel Martin-Vivier, Jean Royère, Norma Editions, Paris, 2002, model reproduced on pages 243, 254 and 255. Jean Royère Estate / Adagp
Result
175,000 EUR
140 - 140. RUSSIA: Accession to the throne of Peter I. Gold medal by the engraver S. Yudin. Obverse: Bust of the Tsar on the right. Reverse: Peter I in armor and cloak pointing to a woman (Russia) on the temple of on a mountaintop. April 27, 1682. Weight: 173.46 g - D: 166 mm Dia : 3.2. Superb.
Result
160,000 EUR
63 - Joseph CSAKY, Sculpture-volume en pierre 63. Joseph CSAKY (1888-1971) Head, circa 1920 Sculpture in white stone. Signed. 37 x 15.5 x 16 cm. (Minor accidents and stains). Bibliography: Félix Marcilhac, "Joseph Csaky, du cubisme historique à la figuration réaliste", Les Éditions de l'Amateur, Paris, 2007, referenced under n°c.1920-FM.23, p. 318. The Hungarian-born artist was - on his return from from the First World War, where he served legion - was taken in hand by the gallery owner and Cubist advocate Léonce Rosenberg. In 1920, Csaky took part in his exhibition exhibition "Les Maîtres du Cubisme", which of major collectors such as the Rothschilds the Noailles and soon Jacques Doucet. open to him. Csaky was one of the first sculptors after Archipenko to adapt the rules of Cubist composition cubist composition into three-dimensional space, enabling to apprehend these works in different ways different ways, simply by shifting the gaze the space. In the 1920s, Csakenko's Csaky's angular cubist approach softened and integrated more and more "figurative" elements into his his works. In 1920, he created a series of "architectural" heads and cubist animals that were in vogue with Art Deco. During this period, Léonce Rosenberg period that the artist "commits cones and spheres spheres to create his figures, women and children and children above all, as a sign of hope". In our work, pure, oversimplified volumes and simplified to the extreme are distributed in their complexity in such a way as to create a balance of forms and harmony of the whole. Composed of interlocking volumes, Tête, 1927 is definitely the evolution of Csaky's art towards abstraction. towards abstraction. Un certificat du Comité Csaky sera facturé pour un montant de 500 euros puis remis à l’acquéreur en sus de l’adjudication
Result
78,000 EUR
169 - 169. Moïse KISLING (1891-1953) Nude stretched out with pink blanket Oil on canvas. Signed lower left, resigned on back of canvas. Inscription in pencil on the back of the canvas "Number 11". Frame from Maison Guichardaz, rue Campagne-Première, Paris. 38 x 55 cm
Result
63,000 EUR
13 - 13. Jean PESKÉ (1870-1949) Young woman reading, 1895 Oil on canvas. Signed and dated lower left. Inscribed on the back on the stretcher "n°2 Peské". 81 x 65 cm Presumed exhibitions: (handwritten inscriptions on back). - 1923, New York, Durand-Ruel Galleries. - 1950, Paris, salon des indépendants, posthumous retrospective. We would like to thank Mme Anne-Cécile Martin of the Association Jean Peské for kindly authenticating this work. Arriving in Paris in 1891, he befriended the painters in the Académie Julian milieu who would soon become known as the Nabis. He then came under the influence of another avant-garde movement, Neo-Impressionism, particularly the painters Luce and Signac, and the critic Félix Fenéon. Our painting is part of this movement: dotted strokes, synthetic drawing, braising colors, but the softness of the scene is also indebted to the Intimism of the Nabis. of the Nabis.
Result
61,000 EUR
SALES RESULTS
Explore all the sales organized by Farrando, including the lots and their results.
