Belle vente mobilière

Belle vente mobilière

Friday, 22 October 2021 at 14:00
Salle 2 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

Lots 1 to 50 of 260

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1. Northern school around 1600

Rider

Pen and brown ink, grey wash and white gouache highlights.

24 x 20 cm. 

Glued in full on an old mount, small stains.

Provenance: former Sir Thomas Lawrence collection (L.2445) lower left.

Former Finot collection, stamped lower right (L.3627).

Two unidentified stamps lower right.

1 - 1. Northern school around 1600 Rider Pen and brown ink, grey wash and white gouache highlights. 24 x 20 cm. Glued in full on an old mount, small stains. Provenance: former Sir Thomas Lawrence collection (L.2445) lower left. Former Finot collection, stamped lower right (L.3627). Two unidentified stamps lower right.

Result
800 €
2. Italian school of the 17th century

The Nativity

Pen and brown ink, brown wash

19.8 x 13.5 cm. Annotated " Pietro da Cortone ".

Tiled, pasted in full, foxing.

2 - 2. Italian school of the 17th century The Nativity Pen and brown ink, brown wash 19.8 x 13.5 cm. Annotated " Pietro da Cortone ". Tiled, pasted in full, foxing.

Estimate
500 € - 600 €
3. Italian school of the 17th century

Acephalous Antique

Pen and brown ink, bistre wash

16.5 x 10.5 cm. 

Annotated on verso "Palazze del marchesi/Tassi Roma/1671"; "FF94

Small tear, restored in the center 

Provenance: old label on verso "Madame de Mézières".

3 - 3. Italian school of the 17th century Acephalous Antique Pen and brown ink, bistre wash 16.5 x 10.5 cm. Annotated on verso "Palazze del marchesi/Tassi Roma/1671"; "FF94 Small tear, restored in the center Provenance: old label on verso "Madame de Mézières".

Result
400 €
4. Flemish school around 1700

Landscape

Black pencil and grey wash

12 x 18,5 cm. Insolate, small lacks

Annotated " Claude Gelée " in the lower right corner.

4 - 4. Flemish school around 1700 Landscape Black pencil and grey wash 12 x 18,5 cm. Insolate, small lacks Annotated " Claude Gelée " in the lower right corner.

Result
100 €
5. French school around 1800

Montage comprising four vignettes: Church of Santa Sabina; Barberini Fountain; Ruins of the Temple of Venus; Colonnade of St. Peter

Engraved lines heightened with wash

17,5 x 25 cm.

Located on the mount.

5 - 5. French school around 1800 Montage comprising four vignettes: Church of Santa Sabina; Barberini Fountain; Ruins of the Temple of Venus; Colonnade of St. Peter Engraved lines heightened with wash 17,5 x 25 cm. Located on the mount.

Estimate
300 € - 400 €
6. French school of the 18th century

Female hunter

Pencil on grey paper.

22 x 14 cm.

6 - 6. French school of the 18th century Female hunter Pencil on grey paper. 22 x 14 cm.

Result
150 €
7. Northern School circa 1800

Characters

Two wash drawings

Signed G. REYNES and dated.

21 x 27 cm.

7 - 7. Northern School circa 1800 Characters Two wash drawings Signed G. REYNES and dated. 21 x 27 cm.

Result
200 €
8. Théodore Caruel d'ALIGNY (Chaume 1798 - Lyon 1871)

Two landscapes on the same mount: a view of Rome

Rome and a view of Pompeii

Black pencil on tracing paper

17,5 x 15 cm - 16,5 x 22 cm

Both are monogrammed and located

8 - 8. Théodore Caruel d'ALIGNY (Chaume 1798 - Lyon 1871) Two landscapes on the same mount: a view of Rome Rome and a view of Pompeii Black pencil on tracing paper 17,5 x 15 cm - 16,5 x 22 cm Both are monogrammed and located

Result
60 €
9. Paul BAUDRY (Roche-sur-Yon 1828 - Paris 1886)

Project for a ceiling: The dawn

Gouache and black pencil

15,2 x 15,2 cm

Curved shape, oxidation of the gouache

We join a drawing on the same mounting attributed to Decamps.

9 - 9. Paul BAUDRY (Roche-sur-Yon 1828 - Paris 1886) Project for a ceiling: The dawn Gouache and black pencil 15,2 x 15,2 cm Curved shape, oxidation of the gouache We join a drawing on the same mounting attributed to Decamps.

Result
180 €
10. Attributed to Alexandre Gabriel DECAMPS (Paris 1803 - Fontainebleau 1860)

Landscape

Charcoal

21,5 x 29,5 cm.

10 - 10. Attributed to Alexandre Gabriel DECAMPS (Paris 1803 - Fontainebleau 1860) Landscape Charcoal 21,5 x 29,5 cm.

Estimate
300 € - 400 €
11. Lot including :

- an engraving representing Napoleon at St. Helena

 - two enhanced photographs in oval blackened wood medallions.

(height for the photographs: 5,5 cm).

11 - 11. Lot including : - an engraving representing Napoleon at St. Helena - two enhanced photographs in oval blackened wood medallions. (height for the photographs: 5,5 cm).

Result
30 €
12. French school of the late 19th century

Head of a Young Man

Three pencils on blue paper

16.5 x 12 cm.

12 - 12. French school of the late 19th century Head of a Young Man Three pencils on blue paper 16.5 x 12 cm.

Result
450 €
13. Attributed to Léon VILLEVIEILLE (Paris 1823 - 1866)

Landscape of the river bank with church

Watercolour and black pencil

21,5 x 38,5 cm

Signed lower left

Rousseurs.

13 - 13. Attributed to Léon VILLEVIEILLE (Paris 1823 - 1866) Landscape of the river bank with church Watercolour and black pencil 21,5 x 38,5 cm Signed lower left Rousseurs.

Result
100 €
14. Alfred GRÉVIN (1827-1892)

The Secret

Pencil drawing.

Stamp of the sale of Alfred Grévin's workshop, 08/12/1984

5 x 7,5 cm.

14 - 14. Alfred GRÉVIN (1827-1892) The Secret Pencil drawing. Stamp of the sale of Alfred Grévin's workshop, 08/12/1984 5 x 7,5 cm.

Result
50 €
15. Attributed to James WALKER (Calcutta 1831- Paris 1898)

Horse and Dogs of the Crew

Charcoal, etching, gumming and white chalk highlights

33 x 47,5 cm

Monogrammed and dated "60" on the lower right

Insolated.

15 - 15. Attributed to James WALKER (Calcutta 1831- Paris 1898) Horse and Dogs of the Crew Charcoal, etching, gumming and white chalk highlights 33 x 47,5 cm Monogrammed and dated "60" on the lower right Insolated.

Estimate
200 € - 300 €
16. School of the XIXth century

Man's Academy

Pencil drawing.

Trace of signature in the lower right corner.

38 x 29 cm.

16 - 16. School of the XIXth century Man's Academy Pencil drawing. Trace of signature in the lower right corner. 38 x 29 cm.

Result
220 €
17. André DIGNIMONT (1891-1965)

Woman leaning and woman from behind

Two washings on paper signed.

18 x 21 cm and 18 x 16 cm.

17 - 17. André DIGNIMONT (1891-1965) Woman leaning and woman from behind Two washings on paper signed. 18 x 21 cm and 18 x 16 cm.

Result
100 €
18. The Virgin of Vladimir

Russian icon (Central Russia), 18th century

Tempera on panel, gilded background. Stripped border revealing the gesso.

Beautiful classical Russian painting in the tradition of the Moscow School.

The Virgin of Vladimir or Virgin of Tenderness, The Son embraces his Mother is one of the most beautiful expressions of maternity in iconography.

(Wear and tear, missing gesso on the edges, very good general and structural condition)

22 x 27 cm.

18 - 18. The Virgin of Vladimir Russian icon (Central Russia), 18th century Tempera on panel, gilded background. Stripped border revealing the gesso. Beautiful classical Russian painting in the tradition of the Moscow School. The Virgin of Vladimir or Virgin of Tenderness, The Son embraces his Mother is one of the most beautiful expressions of maternity in iconography. (Wear and tear, missing gesso on the edges, very good general and structural condition) 22 x 27 cm.

Result
950 €
19. THE POKROV

Russian icon, 19th century

Tempera on panel, covered with silver leaf, engraved border. Icon with double register, on top the Apparition of the Virgin

Virgin in the Church of the Blachernes in Constantinople, below, the miracle of the Roman deacon.

(Worn, missing and detached. General good condition).

30.5 x 35.5 cm.

19 - 19. THE POKROV Russian icon, 19th century Tempera on panel, covered with silver leaf, engraved border. Icon with double register, on top the Apparition of the Virgin Virgin in the Church of the Blachernes in Constantinople, below, the miracle of the Roman deacon. (Worn, missing and detached. General good condition). 30.5 x 35.5 cm.

Result
500 €
20. Italian school of the XVIIth century, after DOMINIQUIN (1581-1641)

King David Playing the Harp

Oil on panel

60.5 x 71 cm

(cracks)

20 - 20. Italian school of the XVIIth century, after DOMINIQUIN (1581-1641) King David Playing the Harp Oil on panel 60.5 x 71 cm (cracks)

Result
700 €
21. In the taste of the Dutch school of the 17th century

Lute player

Oil on canvas.

85 x 72 cm

Wax stamp on the back on the frame.

21 - 21. In the taste of the Dutch school of the 17th century Lute player Oil on canvas. 85 x 72 cm Wax stamp on the back on the frame.

Result
850 €
22. Hyacinthe RIGAUD (1659-1743)

Portrait of Eberhard von Harling

Oil on canvas.

81 x 63 cm

Annotated on the back of the lining: Fait par Hyacinthe Rigaud à Paris /1719.

Lifts and small missing parts. 

Bibliography: Ariane James Sarrazin, catalogue raisonné of the works of Hyacinthe Rigaud, vol.2

p. 452.N°P.1336.

History. Inscribed in 1719; painted mainly between 31 March and 10 August 1719.

Bibl.: AN, O^1* 223, fol. 318; Palatine, ed. 2004, pp. 134, 136, 143; BIF, ms. 624, fol. 39 a

22 - 22. Hyacinthe RIGAUD (1659-1743) Portrait of Eberhard von Harling Oil on canvas. 81 x 63 cm Annotated on the back of the lining: Fait par Hyacinthe Rigaud à Paris /1719. Lifts and small missing parts. Bibliography: Ariane James Sarrazin, catalogue raisonné of the works of Hyacinthe Rigaud, vol.2 p. 452.N°P.1336. History. Inscribed in 1719; painted mainly between 31 March and 10 August 1719. Bibl.: AN, O^1* 223, fol. 318; Palatine, ed. 2004, pp. 134, 136, 143; BIF, ms. 624, fol. 39 a

Result
19 000 €
23. Italian school of the end of the XVIIth century

Portrait of the Virgin in bust

Oil on canvas

47 x 35 cm

After Raphael's "The Bridgewater Madonna" in Edinburgh, National Gallery of Scotland (inv. NGL 065.46)

(Wear and restoration).

23 - 23. Italian school of the end of the XVIIth century Portrait of the Virgin in bust Oil on canvas 47 x 35 cm After Raphael's "The Bridgewater Madonna" in Edinburgh, National Gallery of Scotland (inv. NGL 065.46) (Wear and restoration).

Result
800 €
24. French school of the XVIIIth century in the taste of Henri TESTELIN

Portrait of Louis XIV

Oval canvas.

69 x 57 cm

Restorations).

Antique frame in carved wood and gilded.

24 - 24. French school of the XVIIIth century in the taste of Henri TESTELIN Portrait of Louis XIV Oval canvas. 69 x 57 cm Restorations). Antique frame in carved wood and gilded.

Result
7 800 €
25. German school (?) of the 18th century

Presumed portrait of Mr. Bidermann

Oil on canvas.

Inscribed on the back and dated 1755 (?)

56 x 45 cm.

25 - 25. German school (?) of the 18th century Presumed portrait of Mr. Bidermann Oil on canvas. Inscribed on the back and dated 1755 (?) 56 x 45 cm.

Result
260 €
26. French school around 1720, in the entourage of Jean-Baptiste OUDRY (1686-1755)

Portrait of a Lady of Quality

Oil on canvas

81 x 65 cm

Period frame

26 - 26. French school around 1720, in the entourage of Jean-Baptiste OUDRY (1686-1755) Portrait of a Lady of Quality Oil on canvas 81 x 65 cm Period frame

Result
3 000 €
27. Follower of Claude-Joseph VERNET (1714-1789)

 The Night

 Oil on canvas

 83 x 135 cm

 The painting is a remake of the painting, The Night (canvas, 83 x 135 cm), kept at the Château de Versailles.

27 - 27. Follower of Claude-Joseph VERNET (1714-1789) The Night Oil on canvas 83 x 135 cm The painting is a remake of the painting, The Night (canvas, 83 x 135 cm), kept at the Château de Versailles.

Result
4 100 €
28. French school of the end of the 18th century

Lady of quality

Oval canvas.

45 x 37 cm

28 - 28. French school of the end of the 18th century Lady of quality Oval canvas. 45 x 37 cm

Result
180 €
29. French school end of the 18th century

Portrait of a woman

Panel.

18 x 13 cm

29 - 29. French school end of the 18th century Portrait of a woman Panel. 18 x 13 cm

Result
350 €
30. E. LAVIGNE

Man, Woman of Quality, Young Girl

Suite of three oval pastels, signed on the right and dated 1859.

52 x 44 cm

30 - 30. E. LAVIGNE Man, Woman of Quality, Young Girl Suite of three oval pastels, signed on the right and dated 1859. 52 x 44 cm

Estimate
200 € - 300 €
31. French school of the 19th century

Return of a hunt

 Oil on canvas.

(Accidents and missing parts).

85 x 114 cm 

Provenance: Jacques Dupont Collection, Château de la Chesnaie in Eaubonne.

31 - 31. French school of the 19th century Return of a hunt Oil on canvas. (Accidents and missing parts). 85 x 114 cm Provenance: Jacques Dupont Collection, Château de la Chesnaie in Eaubonne.

Result
550 €
32. French school of the 19th century

Bunch of flowers

Oil on canvas

87 x 55 cm.

32 - 32. French school of the 19th century Bunch of flowers Oil on canvas 87 x 55 cm.

Result
250 €
33. According to MARTINET

Birds

Pair of engravings in color.

33 - 33. According to MARTINET Birds Pair of engravings in color.

Estimate
80 € - 120 €
34. Orientalist school of the 19th century

Two characters conversing

Oil on canvas mounted on panel.

29 x 24 cm.

34 - 34. Orientalist school of the 19th century Two characters conversing Oil on canvas mounted on panel. 29 x 24 cm.

Result
150 €
35. French school of the 19th century

Plaine des Sablons and Pont Neuf

Two optical views.

82,5 x 40 cm.

35 - 35. French school of the 19th century Plaine des Sablons and Pont Neuf Two optical views. 82,5 x 40 cm.

Result
60 €
36. Paul VAYSON (1841-1911)

Dog

Oil on panel, monogrammed lower right.

17 x 27 cm.

36 - 36. Paul VAYSON (1841-1911) Dog Oil on panel, monogrammed lower right. 17 x 27 cm.

Result
220 €
37. Claude GUILLEMINET (1821-c.1866)

Farmyard

Two oil on panel forming a pendant.

24,5 x 19 cm.

37 - 37. Claude GUILLEMINET (1821-c.1866) Farmyard Two oil on panel forming a pendant. 24,5 x 19 cm.

Result
580 €
38. Cecil ALDIN (1870-1935)

Diligences

Pair of prints on canvas signed lower right.

26,5 x 62,5 cm.

38 - 38. Cecil ALDIN (1870-1935) Diligences Pair of prints on canvas signed lower right. 26,5 x 62,5 cm.

Result
250 €
39. Harry ELIOTT (1882-1959)

The barrier (28), My coche (27)

Two engravings forming a pendant.

37 x 55 cm

39 - 39. Harry ELIOTT (1882-1959) The barrier (28), My coche (27) Two engravings forming a pendant. 37 x 55 cm

Estimate
60 € - 80 €
40. Eugène CARRIERE (1849-1906)

Sleeping Woman

Oil on canvas.

Signed upper right.

20,5 x 28 cm

(Misses).

40 - 40. Eugène CARRIERE (1849-1906) Sleeping Woman Oil on canvas. Signed upper right. 20,5 x 28 cm (Misses).

Result
2 400 €
41. Attributed to Eugène CARRIERE (1849-1906)

Reclining Woman

Pencil and watercolor on paper.

Apocryphal signature in the lower left corner.

11 x 29 cm.

41 - 41. Attributed to Eugène CARRIERE (1849-1906) Reclining Woman Pencil and watercolor on paper. Apocryphal signature in the lower left corner. 11 x 29 cm.

Result
140 €
42. Eugène CARRIERE (1849-1906)

Sleeping Child

Pencil drawing.

Monogrammed lower right.

11 x 8 cm

(Tears and lacks)

42 - 42. Eugène CARRIERE (1849-1906) Sleeping Child Pencil drawing. Monogrammed lower right. 11 x 8 cm (Tears and lacks)

Result
550 €
43. Eugène CARRIERE (1849-1906)

Breastfeeding Woman

Drawing on paper.

Monogrammed "EC" and stamp of the sale of 21/11/1977 down right.

12 x 23,5 cm.



Provenance : Sale of Eugène Carrière's studio, Me Binoche, 21/11/1977.

43 - 43. Eugène CARRIERE (1849-1906) Breastfeeding Woman Drawing on paper. Monogrammed "EC" and stamp of the sale of 21/11/1977 down right. 12 x 23,5 cm. Provenance : Sale of Eugène Carrière's studio, Me Binoche, 21/11/1977.

Result
380 €
44. French school of the 20th century

Portrait of a Lady with a Pearl Necklace

Oil on panel.

Trace of signature in the lower right corner.

35 x 28 cm.

44 - 44. French school of the 20th century Portrait of a Lady with a Pearl Necklace Oil on panel. Trace of signature in the lower right corner. 35 x 28 cm.

Result
20 €
45. Roger CHAPELET (1903-1995)

Three-masted ship flying the American flag in the boreal seas

Oil on canvas signed lower left.

61 x 92 cm

(Small restorations)

45 - 45. Roger CHAPELET (1903-1995) Three-masted ship flying the American flag in the boreal seas Oil on canvas signed lower left. 61 x 92 cm (Small restorations)

Estimate
6 000 € - 8 000 €
46. Paul JOUVE (1878-1973)

Ox, Villefavard (?)

Charcoal signed and dated 1910.

30 x 45 cm 



Provenance : Former Charles MUNCH collection, by descent.

Located in the Limousin, Villefavard was the summer property of Charles MUNCH.

During this summer period, the famous conductor regularly organized concerts in a converted barn. Many artists passed through and they did not hesitate to thank their host by leaving a work of art.

46 - 46. Paul JOUVE (1878-1973) Ox, Villefavard (?) Charcoal signed and dated 1910. 30 x 45 cm Provenance : Former Charles MUNCH collection, by descent. Located in the Limousin, Villefavard was the summer property of Charles MUNCH. During this summer period, the famous conductor regularly organized concerts in a converted barn. Many artists passed through and they did not hesitate to thank their host by leaving a work of art.

Result
2 100 €
47. Henri-Edmond CROSS (1856 - 1910)

Woman doing her hair

Watercolor on paper, stamped lower right.

15 x 9 cm

Listed in the archives of Mr. Patrick OFFENSTADT.

47 - 47. Henri-Edmond CROSS (1856 - 1910) Woman doing her hair Watercolor on paper, stamped lower right. 15 x 9 cm Listed in the archives of Mr. Patrick OFFENSTADT.

Result
380 €
48. Henri-Edmond CROSS (1856 - 1910)

View of La Vallette

Watercolor on paper, stamped lower left.

9 x 12 cm

Listed in the archives of Mr. Patrick OFFENSTADT.

48 - 48. Henri-Edmond CROSS (1856 - 1910) View of La Vallette Watercolor on paper, stamped lower left. 9 x 12 cm Listed in the archives of Mr. Patrick OFFENSTADT.

Result
600 €
49. Achille ZO (1826-1901)

The picador

Aquatint in colour signed and numbered lower left 10/200.

Signed by the engraver (?) Ch Manuel lower right.

49 - 49. Achille ZO (1826-1901) The picador Aquatint in colour signed and numbered lower left 10/200. Signed by the engraver (?) Ch Manuel lower right.

Result
100 €
50. Henri Eugene LOUVET (1866-?)

Edge of the Seine (?)

Oil on panel, signed lower right.

24 x 34 cm.

50 - 50. Henri Eugene LOUVET (1866-?) Edge of the Seine (?) Oil on panel, signed lower right. 24 x 34 cm.

Result
100 €
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