Collection Pierre & Jeannine CONSTEN
Tuesday, 23 May 2023 at 14:30
Salle 5 - Hôtel Drouot, 9, rue Drouot, 75009 Paris
Lots 1 to 50 of 88
Page 1 / 2
1 - 1. Pierre BONNARD (1867-1947) Nude with the toilet. About 1912 Lithograph in two tones, signature printed at the bottom in the center. Proof on chine, signed in the lower right corner, from an edition at about 30 copies. (Bouvet 80). Framed. 13,5 x 9,5 cm. Sight : 21,5 x 15 cm.
Result
330 €
2 - 2. Marie LAURENCIN (1883-1956) Mandolin player. 1928 Etching in colors. Proof signed in the lower right corner, numbered 38/100. Framed. (Marchesseau 132, def. state) 17,5 x 23 cm. Sight : 21 x 27 cm. (Yellowing, tiny stains. Small margins).
Result
220 €
3 - 3. Marie LAURENCIN (1883-1956) Head of a woman with a velvet bow. 1925 Lithograph in colors. Proof signed in the lower left corner. lower left (Marchesseau 88) 16 x 12,5 cm. Sheet : 24 x 19 cm. (Slightly yellowed, edges tightened on the back by a brown by a brown band, some wavy folds).
Result
380 €
4 - 4. Paul DELVAUX (1897-1994) Flowered hat I. 1969 Lithograph in colors on vellum. Proof signed lower right, annotated EA. Outside the edition at 75 copies. Frame. (M.Jacob 35) 31,5 x 23,5 cm. Leaflet : 45 x 36 cm. (A little yellowed and faded, lined on cardboard).
Result
400 €
5 - 5. Pablo PICASSO (1881-1973) The Rest of the Sculptor IV Plate 65 of the suite Vollard. Etching on small paper with Vollard watermark. Proof bearing a signature in the lower right corner. Frame (Bloch 174; Geiser 327Bd) Subject : 19,4 x 26,5 cm. Sheet : 33 x 44 cm. (Minor stains, small thinning on the back). @Succession Picasso 2023
Result
2 800 €
6 - 6. Pablo PICASSO (1881-1973) Sculptor and standing model Plate 68 from the Vollard suite. Etching on small laid paper with Vollard watermark. Proof slightly yellowed, bearing a signature signature, held by mounting tabs on the reverse. Slight thinning. Framed. (Bloch 177, Geiser 330 Bd) Subject : 35,7 x 29,7 cm. Leaflet : 44 x 34 cm. @Succession Picasso 2023
Result
4 500 €
7 - 7. Jacques VILLON (1875-1963) after Kees VAN DONGEN Avenue du Bois. 1928 Aquatint in colors on vellum. Proof signed lower left, numbered 11/200. 11/200 (C. de Ginestet and C.Pouillon E656). 47 x 36,5 cm. Sheet : 65 x 50 cm. (Very slightly yellowed. Minimal stains. Edges stretched on the back by a brown by a brown mounting strip).
Result
2 500 €
8 - 8. Jean CARZOU (1907-2000) Venice Suite of two lithographs in colors signed in bottom on the right. 30,5 x 23,5 cm.
Result
200 €
9 - 9. Jean CARZOU (1907-2000) Cottage, Boats, Crowned figure Suite of three lithographs in colors signed in bottom to the right. 29,5 x 23 cm and 23,5 x 19,5 cm.
Result
100 €
10 - 10. Maria Elena VIEIRA DA SILVA (1908-1992) after Egypt. 1972 Lithography in colors by Manesse after a painting painting of 1948 published by the Gallery J. Bucher, Paris. Signed lower right, numbered 164/200. Framed. 36 x 45,5 cm. Leaflet : 51,5 x 59 cm. (A little yellowed).
Result
1 500 €
11 - 11. MARIE LAURENCIN (1883-1956) Three young girls and a dog Pencil on paper. Monogrammed at the bottom center. 26 x 20 cm.
Result
800 €
12 - 12. Louis VALTAT (1869-1952) Fields of wheat, circa 1915 Watercolor and pencil on paper. Monogrammed in the lower right corner. 17 x 23 cm at sight. 800 / 1 200 € Since 1907, Valtat has been a familiar figure in Calvados. Between 1915 and 1924, he made regular summer stays in Asnels and Ver-sur- Mer. He is more interested in the Normandy countryside, opulent and golden under the summer sky, than by the maritime landscapes. This watercolor seems to be directly preparatory to the oil oil on canv
Result
1 300 €
13 - 13. Louis VALTAT (1869-1952) The Hilly Field, circa 1915 Watercolor and pencil on paper. Monogrammed in the lower right corner. 18 x 22,5 cm at sight. 800 / 1 200 € The style of these watercolors is indebted to the Pont-Aven School, the art of Moret and Maufra.
Result
1 300 €
14 - 14. Marie LAURENCIN (1883-1956) Young girl with a cat Oil on canvas. Signed lower right. 22 x 27 cm Provenance : Pierre and Jeannine Consten Collection. Bibliography : Daniel Marchesseau, Marie Laurencin catalog raisonné de l'oeuvre peint, Éditions Marie Laurencin museum, Japan, 1986, n°1243 p 502. "In Apollinaire et ses amis, 1909, her most famous painting which testifies to her In Apollinaire et ses amis, 1909, her most famous painting which testifies to her affair with the poet, the paint
Result
18 500 €
15 - 15. Marie LAURENCIN (1883-1956) Music Oil on canvas. Signed lower right. Inscription on the back of the frame "Musique". 38 x 46 cm Provenance : Pierre and Jeannine Consten Collection. Bibliography : Daniel Marchesseau, Marie Laurencin catalog raisonné of the painted work, Editions Marie Laurencin museum, Japan, 1986, n°1178 p 478. A certificate from M.Bénézit dated July 9, 1968 is attached. "In her portraits, Marie Laurencin avoids any external influence, any allusion to a public or private
Result
22 500 €
16 - 16. Jean René BAZAINE (1904-2001) The lamp, 1943 Oil on canvas. Signed and dated lower right. Resigned, titled, and dated on the back. 41 x 24 cm. Exhibition : Galerie André-François Petit, 122 boulevard Haussmann (Label on back). The war years were decisive for Jean Bazaine. He was the organizer of of "Twenty young painters of French tradition" at the Braun gallery in 1941, the first exhibition of avant-garde painting during the Occupation. He joined the Carré gallery in 1942 and is close
Result
9 500 €
17 - 17. Alfred MANESSIER (1911-1993) The night light, 1945/46 Oil on canvas. Signed and dated upper left. Titled on the back. 41 x 27 cm. (Small cracks). The sagacity of the collector has allowed to gather side by side on the picture rails two contemporary paintings, one by Manessier, the other by Bazaine, close in spirit in their spirit, their subject and their pictorial grammar (cubist-fauvist synthesis). During the war years, the young painters of French tradition (Bazaine who is the elder, Le M
Result
9 500 €
18 - 18. Jacques VILLON (1875-1963) Mougins, 1944 Oil on canvas. Signed lower left. 73 x 100 cm. Provenance : - Pierre and Jeannine Consten Collection. - Galerie Louis Carré, 10 avenue de Messine, Paris 8e (label on the back). Exhibitions : - New York, "Selected paintings from its permanent Collection of Louis Carré Gallery", 1951, n°2 -New York, "Duchamp Frère et Soeurs, OEuvres d'Art", Rose Fried Gallery, 25 February-March 1952, n°2 - Vienna, "Léger, Gromaire, Villon, Kupka", Galerie Würthl
Result
35 000 €
19 - 19. Arpad SZENES (1897-1985) Maria Vieira Da Silva at her easel, 1942 Oil on canvas. Signed lower right. Resigned and dated on the back. Stamp "Ministro da Educação" on the back of the canvas. 34 x 24 cm. The theme of Maria Helena inspired Arpad Szenes for for forty years. It appeared as soon as he met his future wife in 1930. Most often, he represents her painting totally absorbed by her work, sometimes dreaming, other times posing other times posing like a queen. During the Brazilian period
Result
15 000 €
20 - 20. Maria Helena VIEIRA DA SILVA (1908-1992) Houses; 1949 Watercolor on paper. Signed lower right. 25 x 47,5 cm at sight G. Weelen et J.F. Jaeger, Vieira da Silva, catalogue raisonné, Genève, 1974, illustré sous le titre "Les maisons", 1949, n°632
Result
22 000 €
21 - 21. Maria Helena VIEIRA DA SILVA (1908-1992) White City or White Interior, 1950 Oil on canvas. Signed and dated 1950 lower right, inscription on the back of the frame "Ville Ville Blanche". 54 x 65 cm. Provenance: - Galerie Jeanne Bucher, 53 rue de Seine, Paris. - Collection Pierre and Jeannine Consten. Bibliography : - G. Weelen and J.-F. Jaeger, Vieira da Silva, catalog raisonné, Geneva, 1994, no. 723 (illustrated, p.142). - P.A. Télé médecine, 19 October 1969, illustrated. - Michel Butor
Result
295 000 €
22 - 22. Maria Helena VIEIRA DA SILVA (1908-1992) Port in the North, 1957 Oil on canvas. Signed and dated 1957 lower right. Inscribed "X.II 56" on the back of the frame. 73 x 116 cm. Provenance : Pierre and Jeannine Consten Collection. Bibliography: - G. Weelen and J.-F. Jaeger, Vieira da Silva, catalog raisonné, Geneva, 1994, no. 1484 (illustrated, p. 295). - Vieira Da Silva, Dora Vallier, Editions Weber, Paris, 1971, reproduced in color p.156. Exhibitions: - Paris, Galerie Charpentier, 76 rue du
Result
140 000 €
23 - 23. Maria Helena VIEIRA DA SILVA (1908-1992) Untitled music, 1967 Oil on canvas. Signed lower right. 97 x 130 cm. Provenance: - Galerie Jeanne Bucher, 53 rue de Seine, Paris (label on back). - Collection Pierre and Jeannine Consten. Bibliography : - G. Weelen and J.-F. Jaeger, Vieira da Silva, catalog raisonné, Geneva, 1994, no. 2179 (illustrated, p.443). - Vieira Da Silva, Monographie générale, 1954, reproduced on p. XXXX. - Vieira Da Silva, Dora Vallier, Editions Weber, Paris, 1971, reprod
Result
240 000 €
24 - 24. Maria Helena VIEIRA DA SILVA (1908-1992) Every house is a season, 1974 Oil on canvas. Signed and dated 1974 lower right. Inscribed on the back of the frame with stamp " 190174). 97 x 130 cm. Certificate of the Galerie Jeanne Bucher dated January 8, 1976. Provenance : - Galerie Jeanne Bucher, 53 rue de Seine, Paris (label on back). - Collection Pierre and Jeannine Consten. Bibliography : - G. Weelen and J.-F. Jaeger, Vieira da Silva, catalog raisonné, Geneva, 1994, no. 2714 (illustrated, p.
Result
190 000 €
25 - 25. Pablo PICASSO (1881-1973) The Painter I, 1967 Oil on canvas. Signed and dated 21/2/67 in the upper left corner. 100 x 81 cm. Légère trace horizontale de la traverse de châssis. Micro enfoncement en haut à gauche. Provenance: - Pierre and Jeannine Consten Collection. - Galerie Tamenaga (label on the back). Bibliography : - C. Zervos, Pablo Picasso Vol.25 - works of 1965 and 1967, Editions "Cahiers d'art", Paris, 1972, n° 281, reproduced in black and white pl.126. - Catalog Exposition I
Result
1 790 000 €
26 - 26. CHINA Turquoise enamelled cookie bitong brush pot, with openwork openwork decoration of the three friends of winter (pines, bamboos and prunus). Kangxi period (1662-1722). H : 9,5 cm.
Result
1 100 €
27 - 27. CHINA Pair of turquoise enameled cookie brushes, in the form of a seated luohan, the body forming the receptacle. Kangxi period (1662-1722). European ormolu bases of later period. period. H : 6,5 cm - W : 5,5 cm - D : 6 cm.
Result
1 000 €
28 - 28. CHINA Pair of Budai forming incense sticks holder in turquoise enamelled cookie, represented seated, holding a bag and a bag and a rosary, the torso bare. Kangxi period (1662-1722). H : 6 cm. (Small chip).
Result
950 €
29 - 29. CHINA Pair of turquoise enameled cookie candleholders, representing two seated, smiling luohan, dressed in long long robes, the torso bare. Kangxi period (1662-1722). Brass and ormolu mount with foliage decoration. European work. H : 13 cm.
Result
4 800 €
30 - 30. CHINA Small Buddhist lion in carved turquoise, represented seated, head turned to the side, mouth half-opened half-opened, its wooden base. H : 3,5 cm. (One leg damaged).
Result
250 €
31 - 31. CHINA Pair of shoes in green and black enamelled cookie, collection label on the base. Kangxi period (1662-1722) H : 3,5 cm - W : 9,5 cm. Small chip to one shoe.
Result
550 €
32 - 32. CHINA Dog in green and black enamelled cookie, represented sitting, head slightly turned to the side and mouth half-open mouth. Kangxi period (1662-1722). H : 17 cm.
Result
2 600 €
33 - 33. CHINA Set in white porcelain of China, including two seated dignitaries, hands joined, and two small two small trapezoidal cups. 19th/20th century period. H. of the scholars : 16 cm and 14 cm. Small chips, long crack on the back of the largest statuette.
Result
1 200 €
34 - 34. CHINA Suite of eleven circular plates in blue and white porcelain white, decorated with flowering branches, willows and landscape. Eighteenth century period. Diameter : 22 and 23 cm. (Chips and chips).
Result
600 €
35 - 35. CHINA Wucai porcelain covered vase, of baluster form, with dragons chasing the sacred pearl among the clouds, with a clouds, with a button-shaped handle. Transition period, 17th century. H : 42,5 cm. (several cracks in the neck, a long crack divided into several small cracks in the body (interior), small enamel chips, chips). (The lid with star-shaped cracks).
Result
4 300 €
36 - 36. CHINA A Wucai porcelain covered vase, baluster shape with pheasants among peonies and magnolias, with a button-shaped in the shape of a button. Transitional period, 17th century. H : 36 cm. (Two chips on the lid, enamel chips, slight star-shaped cracks on the inside).
Result
9 500 €
37 - 37. CHINA Pair of green family porcelain planters, with decorated with qilin in reserves in brace, the fields decorated fields decorated with a trellis and the neck underlined of friezes. Apocryphal Song mark. Qing Dynasty (1644-1911) H : 32 Diam. : 40 cm. (A planter with cracks).
Result
1 000 €
38 - 38. CHINA Bottle vase with tubular neck in red enamelled porcelain glazed porcelain, wooden base. Late 19th - early 20th century. H : 38,5 cm. (Base pierced, small chip at the edge of the neck).
Result
1 000 €
39 - 39. CHINA Pair of Wucai porcelain covered vases, baluster shape form, decorated with children playing in a garden garden, handles in the shape of buttons. 19th century period. H : 42 cm. (One vase with slight star-shaped cracks inside, a chip at the foot, small restorations to one lid (small chip), the other lid with two chips and a crack).
Result
35 000 €
40 - 40. CHINA (India Company) Suite of eight blue and white porcelain plates, decorated with of flowering branches in a reserve in brace. Eighteenth century period. Diameter : 23 cm. (Chips and chips).
Result
450 €
41 - 41. CHINA Baluster vase in green family porcelain, decorated with pheasant perched on rocks, surrounded by peonies and foliage. Kangxi period (1662-1722) or later Brass mounting. H : 40 cm. (Neck and foot lapped, missing bottom, small enamel chips and crack at the foot).
Result
3 200 €
42 - 42. CHINA Pair of Wucai porcelain baluster vases, decorated with dragons chasing the sacred pearl among the flames. Transitional period, 17th century. H : 32 and 31 cm. (Mounted in lamps, one vase with a cracked neck and pierced).
Result
7 500 €
43 - 43. CHINA Bottle vase in red enameled porcelain called 'oxblood the globular body, surmounted by a tubular neck. tubular neck. End of the 19th century. H : 36,5 cm. (Foot possibly broken in).
Result
3 200 €
44 - 44. CHINA Circular plate in pink family porcelain, decorated with a of an immortal accompanied by her maid and a deer under a large pine tree, the wing enamelled with peonies and foliage. Eighteenth century period. Diameter : 22,5 cm. (Small chips and small enamel jumps).
Result
600 €
45 - 45. Baluster coffee pot in silver (950/1000e), the circular base the circular base underlined of a frieze of godrons. Engraved of a cartouche under a knight's helmet. Period XVIIIth century. Weight : 686 g. H : 21 cm.
Result
2 000 €
46 - 46. Silver sprinkling spoon (950/1000th), the spoon with spoon with pierced decoration of rinceaux, model model, engraved with a coat of arms under a marquis. Paris, 1779. Weight : 87 g.
Result
420 €
47 - 47. Square hollow dish model filets contours out of silver (800/1000th), engraved in the center of a coat of arms under crown of marquis. Probably work of the 18th century. (Punched with a crab). Weight : 887 g. C : 24,5 cm.
Result
900 €
48 - 48. Silver dish (950/1000e), model filets contours. Period XVIIIth century. Weight : 1079 g. Diameter : 32 cm.
Result
650 €
49 - 49. Sauce boat in silver (950/1000th), model with edges, with decoration of shells. Engraved of coats of arms under a knight's helmet. Paris, 1768-1774. Weight : 400 g. L : 21,5 cm.
Result
3 200 €
50 - 50. Silver snuffbox (800/1000e) with decoration of animated scenes of animated scenes in cartouches. Probably work of the 18th century. (Repunched to the swan). Weight : 61 g. - L : 8 cm. We join a photo frame, the frame in silver guilloche (835/1000th). Gross weight : 194 g. 14 x 10 cm. Total gross weight: 255 g.
Result
300 €